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| Pre-1900 | 1894-1900 | Pre-1923 mark with Painter's number | 1924-1934 with Painter's number |
2. Dating by painter's number or initials
In the Collector's Guide by Caroline & Nick Pope you will find a list of the known painters with number-signature and their working period at Royal Copenhagen. Also the data of the designing artist will be an important indication of possible age.
3. Dating by back stamp 1935 - 2002 Royal Copenhagen Denmark
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Bar above a letter in Royal or Copenhagen | ![]() |
Bar below a letter in Royal, Denmark or Copenhagen | ![]() |
A bar above two letters in Royal |
| R | 1935 | R | 1950 | RO | 1985-1991 |
| O | 1936 | O | 1951 | RY | 1992-1999 |
| Y | 1937 | Y | 1952 | RA | 1999-2004 |
| A | 1938 | A | 1953 | ||
| L | 1939 | L | 1954 | ||
| C | 1940 | D | 1955 | ||
| O | 1941 | E | 1956 | ||
| P | 1942 | N | 1957 | ||
| E | 1943 | M | 1958 | ||
| N | 1944 | A | 1959 | ||
| H | 1945 | R | 1960 | ||
| A | 1946 | K | 1961 | ||
| G | 1947 | C | 1962 | ||
| E | 1948 | O | 1963 | ||
| N | 1959 | P | 1964 | ||
| E | 1965 | ||||
| N | 1966 | ||||
| H | 1967 | ||||
| A | 1968 | ||||
| G | 1969-1974 | ||||
| E | 1975-1979 | ||||
| N | 1980-1984 |
4. Dating by back stamp DENMARK with crown or 3 wavy lines
5. Signatures
The artist have different ways of signing their works of modeling or decoration:
6. Juliane Marie mark
Over glaze and some white pieces produced from 1900 and onward are stamped with the Juliane Marie Mark
7. Dating overglaze
| A (.) mark below a letter in Denmark | A mark over a letter in Denmark | A (.) below a letter in Copenhagen | A mark (.) over a letter in Copenhagen | A mark for Royal | |||||
| K | 1935 | K | 1942 | N | 1949 | N | 1959 | L | 69/73 |
| R | 1936 | R | 1943 | E | 1950 | E | 1960 | A | 74/78 |
| A | 1937 | A | 1944 | G | 1951 | G | 1961 | Y | 79/83 |
| M | 1938 | M | 1945 | A | 1952 | A | 1962 | O | 84/88 |
| N | 1939 | N | 1946 | H | 1953 | H | 1963 | R | 89/93 |
| E | 1940 | E | 1947 | N | 1954 | N | 1964 | ||
| D | 1941 | D | 1948 | E | 1955 | E | 1965 | ||
| P | 1956 | P | 1966 | ||||||
| O | 1957 | 0 | 1967 | ||||||
| C | 1958 | C | 1968 | ||||||
8. Color variations on figurines.
Pieces which are produced in different color variations have a fractional number
9. Aluminia Faience
| Aluminia Faience 1903 -1969 - you have the beehive - a capital A with the three wavy lines | Aluminia became Royal Copenhagen faience from 1969 - click here to learn more |
Aluminia Faience 1929-1950 on a crackled porcelain dog |
Signatures on Aluminia and Royal Copenhagen faiences | Artist list Copenhagen porcelain and art pottery from 1890s and forward |
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The Aluminia Faience factory date its history to the year 1862 founded by August Schiøttt (1834 - 1863). In 1868 Philip Schou took over the factory and moved the production to Frederiksberg. In 1882 he bought the Royal Copenhagen Porcelain Manufactory and the two companies merged to one. The production of faience lived its own quite life in the shadow of the blooming interest for industrial production of porcelain at Royal Copenhagen. But the period from 1901 - 1928 became a new period of success under the artistic input from Chr. Joachim (1870-1943) and Harald Slott-Møller (1864-1937). They crated the important works of Danish Skonvirke in the coloristic Art faience of Aluminia. Later Nils Thorsson took the manufactory into the new and final era in the period 1928-1969 where it changed name to Royal Copenhagen Faience.
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| Over the line you have the number of decoration - here #10 for Blue Flower | Under the line you have the item or model # - here 1623 on a Blue Flower Curved Dinner plate | On the same model and form you can have different decorations - here Frijsenborg # 910 | In the Blue Flower Curved pattern you have item numbers from 1500 - 2000 | The Blue Flower Braided pattern you find numbers from 8000-8499 |
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| The Blue Flower Angular have numbers from 8500 and forward | You will find variations and gift item which will not follow the rules - candlesticks above have number 3303 | The Blue Fluted pattern # 1 was given the decoration number #1 because it was the first and oldest | From 1893 the numbering system was introduced. Blue Fluted plain or ribbed # 1 items were given numbers from 1-499 and 2000 forward | Blue fluted half lace items were given numbers from 500 - 999 |
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| Blue fluted full lace items had numbers from 1000 an onward | Also here you will find variations - like more heavy hotel ware | Green fluted marked 1 A | And items before 1893 is marked with antique Royal Copenhagen markings | In the 1980s a new number system was introduced - now a cup of same size and use has the same number in different patterns - and the pattern number is no longer indicated |
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| From the late 19th century the Flora Danica were marked with the name of the Latin flower in black; the Royal Copenhagen hallmark and the pattern and form number | Antique Flora Danica ca. 1860-1880 | The painters of Flora Danica, where aloud to paint a few items every year they for themselves. These are marked with the painters name /initials and a date - the name of the flower is always handwritten or not there. Quality vary from not so good to superb. | The history of special orders are long - some with special motives; other's just marked on the back like above | A series of Japanese flowers were painted on a special form |
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To get an overview of some of the most seen Royal Copenhagen dinnerware patterns - please click here
11. Second quality
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"Errare humanum est" | |
| Pieces which do not meet the factory's demands for perfection are marked as "seconds". This was done by scratching through the 3 wavy blue lines with a diamond cutter. These pieces were sold with a 25-30% discount at the factory shop. | Pontil marks - Some larger pieces required additional support during firing, resulting in small circular marks beneath the supported area. Not really a reason to call it a 2nd. | Larger pieces with firing cracks were also sold as 2nd or 3rd quality instead of being destroyed | It is said that in the 1920-30's the factory used to let factory workers buy 3rds & 4ths for very little money ...and that resulted in "a lot" of 3rds & 4ths being made, many of them having nothing wrong with them. |
11. References
| Robert Heritage: Royal Copenhagen Porcelain - Animals & Figurines. Schiffer Books 1997 |
| Caroline & Nick Pope: Collector's Guide to Royal Copenhagen Porcelain. Schiffer books 2001: |
| Mikkelsen, Leif Berring. Aluminia Fajance 1862-1969. Sesam 200 (Danish) |
| S.E.Vingedal: Porslinsmärken, Forum 1982 (Swedish) |
12. A note from Jamiri.dk
This is a dynamic site - constantly under development - please mail your questions, corrections and suggestion - they will be taken seriously. I also welcome any photos of signatures or examples.
Do you like what you see at these pages? In the future we would like to be able to create a site that will be an inspiration to collectors all over the world. We would like to make more theme pages based on artists or motives. Also we intend to generate and translate more information about Danish Porcelain Artists, markings, dating and the different china patterns. Please consider supporting this project by sponsoring a few minutes work by contributing a small donating.Jan Ringsmose, 2009
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Collecting Copenhagen Porcelain. Jamiri.dk present information about Danish figurines, tableware and plates from Royal Copenhagen, Dahl Jensen, Bing & Grondahl and Lyngby Porcelain. Items available for sale will be found using the search function below: For information please click here to find our Alphabetic Link Index
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